{"id":953,"date":"2005-11-12T16:57:00","date_gmt":"2005-11-12T16:57:00","guid":{"rendered":"https:\/\/ecletismomusical.pt\/magic-atmosfere\/"},"modified":"2005-11-12T16:57:00","modified_gmt":"2005-11-12T16:57:00","slug":"magic-atmosfere","status":"publish","type":"post","link":"https:\/\/www.ecletismomusical.pt\/en\/magic-atmosfere\/","title":{"rendered":"Magic Atmosfere"},"content":{"rendered":"<div><img height=\"204\" src=\"http:\/\/www.musikaid.com\/discograficas\/1\/imagenes\/destacado.gif\" width=\"214\" \/><\/p>\n<p><a href=\"http:\/\/www.marlango.net\/web\/es\/automatic.htm\">Automatic Imperfection<\/a> &#8211; Marlango<br \/><img src=\"http:\/\/images-eu.amazon.com\/images\/G\/02\/detail\/stars-4-0.gif\" \/><\/p>\n<p><em><strong>&#8220;I used to know this girl named Suzie Marlango. And her brother&#8217;s band name was Joe Marlango.&#8221;<br \/><\/strong>TOM WAITS (&#8216;Cold Beer On A Hot Night \/ Romeo is Bleeding&#8217;, Syney 1979)<br \/>Intro for &#8216;I Wish I Was In New Orleans&#8217;<br \/><\/em><br \/>Depois do \u00eaxito alcan\u00e7ado com o seu \u00e1lbum de estreia &#8211; <strong>\u00abMarlango\u00bb<\/strong> (2004) &#8211; o grupo espanhol composto por <strong>Leonor Watling<\/strong>, a bela adormecida de <strong>\u00abHable con Ella\u00bb<\/strong> de Almod\u00f3var (com outras participa\u00e7\u00f5es de destaque em filmes como: \u00abSon de mar\u00bb ou \u00abA Mi Madre Le Gustan Las Mujeres\u00bb), <strong>Alejandro Pelayo<\/strong> y <strong>Oscar Ybarra<\/strong> lan\u00e7ou recentemente o seu segundo \u00e1lbum de originais, a que decidiu dar o nome de <strong>\u00abAutomatic Imperfection\u00bb<\/strong>.<\/p>\n<p>Segundo os pr\u00f3prios, este trabalho reflecte as experi\u00eancias vividas ao longo da digress\u00e3o de apresenta\u00e7\u00e3o do seu disco de estreia, nos concertos e viagens por <strong>Espanha, Portugal, Jap\u00e3o e Fran\u00e7a<\/strong>. Tal como j\u00e1 tinha acontecido no primeiro \u00e1lbum, os <strong>Marlango<\/strong> resolveram gravar as can\u00e7\u00f5es de <strong>\u00abAutomatic Imperfection\u00bb<\/strong> de forma org\u00e2nica, com todos os m\u00fasicos a tocar ao mesmo tempo, no mesmo espa\u00e7o, e &#8220;del tir\u00f3n&#8221;, ou seja, de uma vez s\u00f3. Este processo foi poss\u00edvel, pelo facto de as can\u00e7\u00f5es terem vindo a ser previamente tocadas nos seus concertos.<\/p>\n<p>O som dos <strong><a href=\"http:\/\/www.marlango.net\/\">Marlango<\/a><\/strong> \u00e9 de dif\u00edcil defini\u00e7\u00e3o, entre o <strong>pop<\/strong>, o <strong>jazz<\/strong>, os <strong>cabar\u00e9s<\/strong>, os <strong>Calexico<\/strong>, os <strong>Radiohead<\/strong>, os <strong>Sonic Youth<\/strong> or <strong>Tom Waits<\/strong>, <strong>Leonor Watling<\/strong> cria uma mescla de enorme bom gosto. E, tal como os pr\u00f3prios gostam de afirmar: <em><strong>&#8220;Marlango no es rock, no es jazz, no es blues\u2026 \u00bfY qu\u00e9? No nos importan las etiquetas.&#8221;<\/strong><\/em> A verdade \u00e9 que soam bem e merecem ser ouvidos.<\/p>\n<p><strong>Alinhamento: <\/strong><\/div>\n<div><strong><br \/><\/strong><span style=\"font-size:85%\">1.- Shake The Moon<br \/><br \/>2.- Days Are Tired<br \/><br \/>3.- Twisted And Sick<br \/><br \/>4.- Cry<br \/><br \/>5.- I Don&#8217;t Care<br \/><br \/><strong>6.- Automatic Imperfection<\/strong><br \/><br \/>7.- Beautiful Mess<br \/><br \/>8.- Peque\u00f1o vals<br \/><br \/>9.- Architecture Of Lies<br \/><br \/>10.- Tip toe<br \/><br \/>11.- Trains<br \/><br \/>12.- Wrong Way<br \/><\/div>\n<p><\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Automatic Imperfection &#8211; Marlango &#8220;I used to know this girl named Suzie Marlango. And her brother&#8217;s band name was Joe Marlango.&#8221;TOM WAITS (&#8216;Cold Beer On A Hot Night \/ Romeo is Bleeding&#8217;, Syney 1979)Intro for &#8216;I Wish I Was In New Orleans&#8217;Depois do \u00eaxito alcan\u00e7ado com o seu \u00e1lbum de estreia &#8211; \u00abMarlango\u00bb (2004) &#8211;<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/posts\/953"}],"collection":[{"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/comments?post=953"}],"version-history":[{"count":0,"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/posts\/953\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/media?parent=953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/categories?post=953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecletismomusical.pt\/en\/wp-json\/wp\/v2\/tags?post=953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}